London-based Amy Spencer has been building the Ammonite project into something quietly remarkable since its debut.
Her 2024 mini-album Blueprints on R$N Records announced her as a producer of genuine distinction; a record that drew contributions from David Holmes, Salamanda, and Dot Never, and found its way onto the Christian Dior Haute Couture runway at Paris Fashion Week when lead single ARP was selected as the soundtrack.
Good Things marks her debut on Casa Nueve, a new Barcelona-based label operating in the Balearic and downtempo space, and arrives on May 8th 2026.
Comparisons to Björk, Hannah Peel, and Georgia Angiuli feel entirely apt here, and are immediately apparent from the EP's opening title track. Good Things is the kind of piece that, after several minutes of intense brain-wracking, we eventually placed as reminiscent of the video version of Björk's All Is Full of Love; stripped of its beat and left to breathe in all its raw, exposed beauty.
Otherside genuinely evokes the sensation of slipping through some sort of veil; whether physically or metaphysically is up to the listener. Synth sounds crafted entirely from Spencer's own voice, heavily treated in places, drape themselves over staccato stuttering and an angelic vocal refrain that beckons you toward something just beyond reach.
Feb 13 follows, its choral qualities and deep, organ-like bass underpinning vocal harmonies that evoke a frosted bliss; the kind that spreads through the veins like Mandelbrotian ice patterns creeping across a winter window.
In the penultimate Tell Me, Spencer explores themes of reassurance and a longing for familiarity, safety, and comfort. Beautiful and haunting in equal measure; the kind of piece that locates something universally human and holds it gently up to the light.
By the time we reach the emotional finale All Good Things Come to an End (a most fitting closing title for an EP of this magnitude), Ammonite is ready to set us free; lowering us back to the ground softly, amidst a bright, shimmering celestial light.
The emotional reach of this EP is something else entirely; by the final track, it feels as though Ammonite has located something deep within your nervous system and decided to take up residence there. A sensation that stems, we suspect, from the deeply human touch that permeates every waveform. Every instrument and every vocal on this record originates from Amy's own voice; a creative constraint that gives Good Things an intimacy that is almost impossible to manufacture.
Head to Bandcamp and get it now.